Tuesday 15 October 2013

BB House / BAK Architects


© Gustavo Sosa Pinilla
Architects: BAK Architects
Location: , Buenos Aires Province,
Architect In Charge: María Victoria Besonías, Luciano Kruk
Collaborators: Nuria Jover, Diorella Fortunati
Site Area: 595.5 sqm
Area: 114.81 sqm
Year: 2011


The place
The ground of 20m x 30m located in the forest of Mar Azul has the particularity of a very important unevenness respect of the two streets it faces. While this complicates the resolution of access to the site provides the advantage that, if the house is located high, it is very little exposed to the gaze from the street, and also from the inside you can get views of the landscape above the neighboring buildings. This difference in level is more or less smooth to the back of the lot, but it is very sharp towards the opposite front and in this area the forest is also thinned.
© Gustavo Sosa Pinilla
The commissionThe order of the client was a three-bedroom house that did not exceed 120m2, designed to be used not only in summer but on several occasions throughout the year. In particular was pointed out the need for a generously sized main bedroom, which should have a private bathroom and a certain independence from the rest of the house. The other two bedrooms could share a bath and have a minimal surface, so as to give the social area as much space as possible. The kitchen (a very important space for the client) should be fully integrated into this area and was especially highlighted the need for generous outdoor expansions. It also required a deposit for storing of different elements for beach sports.
© Gustavo Sosa Pinilla
Regarding the formal requirements, while requested a concrete house, i.e. aesthetic and constructive proposal similar to the other houses built by the studio in Mar Azul, this commission gave permission to try any search that characterize the experience.
© Gustavo Sosa Pinilla
The proposalOn the client’s permission expressed in the phrase “you may risk proposing a variant of the built houses,” and in the particularity of the lot and the required program, lay the uniqueness of this house. The search for formal variants was not easy since it does not involve change of technology, nor conception of spatiality (that stay more than clear in the first talks) but it intended to make some kind of new contribution without giving up those premises. The proposal could have been testing with new textures of concrete, even with the addition of pigments, but all these procedures appeared to contradict our posture rather austere and non aestheticist of architecture. The solution came by chance when we notice that in the process of producing works of exposed concrete, there is an important remaining of wooden planks used to make the formwork. It seemed then interesting, and also conducive in order to take advantage of every resource available, to reuse these tables in the execution of some wooden walls. This is how we started to think the project from replacing some exterior and interior concrete walls with partitions of tables and wooden structure.
© Gustavo Sosa Pinilla
In relation to the volume, the house was resolved as two prisms at different heights and perpendicular to each other, united by a ladder that saves the difference, and located between pine trees in the highest sector of the lot. In the volume parallel to the direction of the slope, with one side partially buried and the other in situation of balcony, are placed the gathering activities of the family group plus the two small bedrooms. The volume perpendicular to the slope enjoys proximity with the foliage of pine trees that rise from the ground and there is placed the main bedroom with bathroom and terrace.
© Gustavo Sosa Pinilla
The functional organizationUsing a ladder hidden in the dune’s natural slope, the volume is accessed through a main terrace that develops along the longest side, so that by opening the sliding carpentry, full integration is achieved between inside and outside. In this housing sector, the package formed by the household and shared bathroom separates the social zone from the two small “bedroom cabin” and marks the beginning of the soft descending stairway leading to the main bedroom in a very quiet situation. From this room are presented views in high, screened by walls of concrete and the pines foliage, from the forest surrounding the house. It is also possible to go outside through a small terrace that, along with the stairs, links the two volumes which form the house. Under the main bedroom is located the water tank with access from one of the streets.
© Gustavo Sosa Pinilla
The outdoor activities were posed following the principle of “scatter on the ground” so that their impact is as small as possible: thus was proposed a grill and a concrete table and benches at the top of the lot with views of the environment and, in the lower zone, shower facilities in the manner of sculptural object.
© Gustavo Sosa Pinilla
The constructionThe house is constructed with three basic materials: exposed concrete, glass and pine wood tables and beams. The exterior walls made from this material were protected with burned oil. This seemed the most appropriate finish to facilitate maintenance of the pinewood and to harmonize with the colors of the forest.
© Gustavo Sosa Pinilla
The slabs of the different partitions and volumes are supported using concrete beams and are finished with a minimum slope in order to produce a faster runoff of rainwater. H21 concrete was used with the addition of a fluidifiant so that this mixture, with little amount of water to harden, results very compact and does not require sealing. The few interior walls of hollow bricks are finished in concrete screed; floor cloths are also from concrete screed divided with aluminum plates. The openings are of dark bronze anodized aluminum. The heating system, since there is no natural gas in the area, was solved with a system that combines a fireplace, bottled gas stoves and electric stoves.
© Gustavo Sosa Pinilla
The furnitureExcept the beds, couches and chairs, the rest of the equipment of this house is solved in concrete.

BB House / BAK Architects


© Gustavo Sosa Pinilla
Architects: BAK Architects
Location: , Buenos Aires Province,
Architect In Charge: María Victoria Besonías, Luciano Kruk
Collaborators: Nuria Jover, Diorella Fortunati
Site Area: 595.5 sqm
Area: 114.81 sqm
Year: 2011


The place
The ground of 20m x 30m located in the forest of Mar Azul has the particularity of a very important unevenness respect of the two streets it faces. While this complicates the resolution of access to the site provides the advantage that, if the house is located high, it is very little exposed to the gaze from the street, and also from the inside you can get views of the landscape above the neighboring buildings. This difference in level is more or less smooth to the back of the lot, but it is very sharp towards the opposite front and in this area the forest is also thinned.
© Gustavo Sosa Pinilla
The commissionThe order of the client was a three-bedroom house that did not exceed 120m2, designed to be used not only in summer but on several occasions throughout the year. In particular was pointed out the need for a generously sized main bedroom, which should have a private bathroom and a certain independence from the rest of the house. The other two bedrooms could share a bath and have a minimal surface, so as to give the social area as much space as possible. The kitchen (a very important space for the client) should be fully integrated into this area and was especially highlighted the need for generous outdoor expansions. It also required a deposit for storing of different elements for beach sports.
© Gustavo Sosa Pinilla
Regarding the formal requirements, while requested a concrete house, i.e. aesthetic and constructive proposal similar to the other houses built by the studio in Mar Azul, this commission gave permission to try any search that characterize the experience.
© Gustavo Sosa Pinilla
The proposalOn the client’s permission expressed in the phrase “you may risk proposing a variant of the built houses,” and in the particularity of the lot and the required program, lay the uniqueness of this house. The search for formal variants was not easy since it does not involve change of technology, nor conception of spatiality (that stay more than clear in the first talks) but it intended to make some kind of new contribution without giving up those premises. The proposal could have been testing with new textures of concrete, even with the addition of pigments, but all these procedures appeared to contradict our posture rather austere and non aestheticist of architecture. The solution came by chance when we notice that in the process of producing works of exposed concrete, there is an important remaining of wooden planks used to make the formwork. It seemed then interesting, and also conducive in order to take advantage of every resource available, to reuse these tables in the execution of some wooden walls. This is how we started to think the project from replacing some exterior and interior concrete walls with partitions of tables and wooden structure.
© Gustavo Sosa Pinilla
In relation to the volume, the house was resolved as two prisms at different heights and perpendicular to each other, united by a ladder that saves the difference, and located between pine trees in the highest sector of the lot. In the volume parallel to the direction of the slope, with one side partially buried and the other in situation of balcony, are placed the gathering activities of the family group plus the two small bedrooms. The volume perpendicular to the slope enjoys proximity with the foliage of pine trees that rise from the ground and there is placed the main bedroom with bathroom and terrace.
© Gustavo Sosa Pinilla
The functional organizationUsing a ladder hidden in the dune’s natural slope, the volume is accessed through a main terrace that develops along the longest side, so that by opening the sliding carpentry, full integration is achieved between inside and outside. In this housing sector, the package formed by the household and shared bathroom separates the social zone from the two small “bedroom cabin” and marks the beginning of the soft descending stairway leading to the main bedroom in a very quiet situation. From this room are presented views in high, screened by walls of concrete and the pines foliage, from the forest surrounding the house. It is also possible to go outside through a small terrace that, along with the stairs, links the two volumes which form the house. Under the main bedroom is located the water tank with access from one of the streets.
© Gustavo Sosa Pinilla
The outdoor activities were posed following the principle of “scatter on the ground” so that their impact is as small as possible: thus was proposed a grill and a concrete table and benches at the top of the lot with views of the environment and, in the lower zone, shower facilities in the manner of sculptural object.
© Gustavo Sosa Pinilla
The constructionThe house is constructed with three basic materials: exposed concrete, glass and pine wood tables and beams. The exterior walls made from this material were protected with burned oil. This seemed the most appropriate finish to facilitate maintenance of the pinewood and to harmonize with the colors of the forest.
© Gustavo Sosa Pinilla
The slabs of the different partitions and volumes are supported using concrete beams and are finished with a minimum slope in order to produce a faster runoff of rainwater. H21 concrete was used with the addition of a fluidifiant so that this mixture, with little amount of water to harden, results very compact and does not require sealing. The few interior walls of hollow bricks are finished in concrete screed; floor cloths are also from concrete screed divided with aluminum plates. The openings are of dark bronze anodized aluminum. The heating system, since there is no natural gas in the area, was solved with a system that combines a fireplace, bottled gas stoves and electric stoves.
© Gustavo Sosa Pinilla
The furnitureExcept the beds, couches and chairs, the rest of the equipment of this house is solved in concrete.

Wednesday 9 October 2013

Gulf Islands Residence / RUFproject

Gulf Islands Residence / RUFproject


      Courtesy of Gulf Islands Residence
      Architects: RUFproject
      Location: , Canada
      Architect In Charge: Sean Pearson, Alyssa Schwann
      Year: 2011
      Photographs: Courtesy of Gulf Islands Residence

      General Contractor: H.Hazenboom Construction Ltd.
      Structural Engineer: Parallel Consulting Structural Engineers Ltd.
      Mechanical Engineer: Jade West Engineering Co. Ltd.
      Geotechnical Engineer: Braun Geotechnical Ltd.
      Courtesy of Gulf Islands Residence

      From the architect. A conscious decision was made to root the design of the house in the regional, west coast vernacular pioneered by architects such as Ron Thom andArthur Erickson, beginning in the 1950s. The stylei s characterized by post-and beam-construction with exposed timber structural members, extensive glazing, open floor plans, interior-exterior links, wood finishes, flat roofs, orientation to views and a delicate balance with the natural setting.
      Courtesy of Gulf Islands Residence
      These elements were carefully integrated to define a new and innovative vision of regional architecture. The design of this private residence responds to the clients’ desire for a “modern log cabin” on a precious piece of oceanfront property. They were torn between two ideals: on the one hand the rustic Canadian log cabin and on the other the modernist glass house. Through the use of expressive structure, expanses of glass, and a minimal material palette, the project took this challenge as its fundamental concept, striving to reconcile the rustic with the modern in form, materiality, and organization.
      Courtesy of Gulf Islands Residence
      The house has been designed in the form of a bridge, creating a minimal footprint and achieving a high level of environmental performance on the site, while allowing native grasses and flora to grow underneath. Working with the topography, the house is defined in two parts—a solid stone base sunk into the land, referencing the existing rock outcrops on the site, and a light timber “bridge” resting on the stone. With a tranquil internal courtyard protected from the prevailing southeast winds, the strong horizontals of the heavy timbers reference the horizon, and transparency on the ocean side opens the full house to stunning panoramic views of the sea.
      Floor Plan

      Monday 30 September 2013

      WOmen invetion we still use today...

      #1 Stephanie Kwolek: Bullet Proof Vests

      Stephanie Kwolek invented Kevlar, a tough durable material now used to make bulletproof vests. For years she'd worked on the process at DuPont and in 1963, she got the polymers or rod-like molecules in fibers to line up in one direction.

      This made the material stronger than others, where molecules were arranged in bundles. In fact, the new material was as strong as steel! Kwolek's technology also went on to be used for making suspension bridge cables, helmets, brake pads, skis, and camping gear.







      #02Bette Nesmith Graham: Liquid Paper

      The inventor of "Liquid Paper" or as we may know it, "White-Out" was Betty Nesmith Graham.

      Graham got an idea she'd seen done by sign painters, which was to add another layer of paint to cover-up mistakes. She used a kitchen blender to mix-up her first batch of substance to cover-up over mistakes made on paper at work. After much experimenting and then being fired for spending so much time distributing her product as a trial, she received a patent in 1958. Wow!

      #03Alice H. Parker: The Gas Heating Furnance

      Parker was an African-American inventor who in 1919, filed the first U.S. patent for the precursor to a central heating system. The system was able to regulate the temperature of a building and carry heat from room to room.

      The drawings included for the patent show a heating furnace powered by gas. An entire house required several heating units, each controlled by individual hot air ducts. The ducts directed heat to different parts of a building structure.

      Many people now no longer needed to chop or buy wood and coal to stay warm. There's not much more known about Parker's life, but her invention of the heating furnace has revolutionized how we live today.

      #04Dr. Maria Telkes: Home Solar Heating System

      The biophysicist who invented the first home solar heating system grew up in Hungary and moved to the U.S. in 1925. Telkes became an American citizen and joined Westinghouse Electric as a research engineer in the area of energy conversion, in this case, converting heat energy into electric energy.

      Wednesday 11 September 2013


      Architects: Sarah Scott Architects Ltd
      Location: ,
      Design Team: Barry Condon, Sarah Scott
      Area: 440 sqm
      Year: 2012
      Photographs: Mickey Ross




      Structural Engineer: Spiire NZ (formerly DWK)
      Builder: Tony Quirk Builders Ltd
      © Mickey Ross



      From the architect. The site is located on Roy’s Peninsula on the shores of Lake Wanaka approximately 15km North of Wanaka. The building platform is located at the toe of a glacial escarpment on a naturally occurring terrace. It is surrounded by a broad panorama of the NZ Southern Alps, with views North to the head of Lake Wanaka and West to the mouth of the Matukituki River.
      © Mickey Ross

      On its chosen site, the house follows the contours along the toe of the hill allowing it to sit into a naturally occurring hollow. The axes that generate the plan begin in the landscape, flow through the house becoming corridors through the building and re-emerge as views into the landscape.
      © Mickey Ross

      The plan form of the house is respectful of its immediate surroundings, particularly the rocky outcrop to the rear of the building, changing direction to avoid conflict with this naturally occurring feature. This change in direction breaks the plan into three separate entities consisting of a main living space, with two attached bedroom wings.
      © Mickey Ross

      The individual pavilions are further broken up by the low angled split pitch composition of their roof planes. This eliminates large expanses of roof being visible from a distance. The plan composition is a narrow linear arrangement of rooms connected by a rear corridor. This keeps the width of the building and consequently the height of the roofs to a minimum.
      Section